A Study on the Classification and Performative Application of Run Qiang Techniques in Chinese Ancient Poetry Art Songs
DOI:
https://doi.org/10.70088/sh4b2m64Keywords:
Chinese Ancient Poetry Art Songs, Run Qiang Techniques, Vocal Performance, Classification, Performative ApplicationAbstract
As the core vocal ornamentation technique of Chinese ethnic vocal music, Run Qiang techniques are the key to shaping the national charm and artistic style of ancient poetry art songs, and bridge the artistic integration of traditional Chinese poetry and modern vocal music. Domestic academic circles have formed diversified interpretations and classification systems of Run Qiang based on opera, folk song and general ethnic vocal music research, while there is a lack of targeted and standardized technical classification and practical interpretation for ancient poetry art songs. Taking the performance characteristics and aesthetic connotation of ancient poetry art songs as the core, this study adopts literature research, performance practice analysis and inductive summary methods to sort out the authoritative definition and classification of Run Qiang techniques. On the basis of inheriting existing research results, it constructs a targeted five-dimensional Run Qiang system including melodic, timbral, dynamic, rhythmic and singing-style Run Qiang. This study systematically expounds the technical essentials, aesthetic functions and performance norms of each type of Run Qiang, and verifies the practical application value of the system combined with typical work cases. The research aims to standardize the performance application of Run Qiang techniques in ancient poetry art songs, highlight the integration of poetic prosody and vocal art, and provide practical reference for the inheritance, innovation and standardized performance practice of Chinese ancient poetry vocal works.References
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Copyright (c) 2026 Yuan Feng, Jin Hin Yap (Author)
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