GBP Proceedings Series

About the Journal

GBP Proceedings Series is a multidisciplinary platform dedicated to publishing high-quality conference proceedings across a wide range of academic disciplines. The series provides a forum for researchers, scholars, and professionals to present and disseminate innovative ideas, research findings, and practical solutions. By collaborating with conference organizers worldwide, the series aims to advance knowledge and foster academic exchange in science, technology, engineering, social sciences, and humanities.

Current Issue

Vol. 25 (2026): 2025 Chinese Forum of Master’s and Doctoral Studies in Arts Management (MDSAM 2025)

Date: 13 December, 2025
Venue: Beijing, China
Editors: James Turner, CPCIG-INC., United States
ISBN: 978-1-9182631-8-9

Published: 02 May 2026

Articles

Research on Artistic Agency in the AI Era: In-Depth Interviews with Eight Artists Using AI for Creation

Ruichen Xu, Shirong Liu, Peijun Ying, Hefei Fan (Author)

1-16
- PDF
Two-Way Empowerment and Aesthetic Education Sharing: Research on the Mechanism and Path Innovation of Aesthetic Education in Art-Based Rural Construction from an Ecological Perspective

Qiao Li, Ling Chen (Author)

17-24
- PDF
Prosthetics, Transduction, or Partner? The Technological Embodiment and Identity Negotiation of AI Music Creation Identity

Fangru Lin (Author)

25-33
- PDF
Geographical Indication Protection for Traditional Handicrafts: A Case Study of Hotan Mulberry Bark Paper

Peiting Li, Tianze Jia, Yan Liu (Author)

34-42
- PDF
Audience Development of the "Huiguan Youxi" Cultural Brand: A Case Study of the Immersive Musical Jinfeng Yulu at the Huguang Guild Hall

Min Li (Author)

43-53
- PDF
Digital Evocation in the Posthuman: The Hauntological Production of Video Games as Cultural Industry

Yixin Wang (Author)

54-62
- PDF
Empowering the Revitalization of Rural Humanistic Economy with AIGC: A Case Study of Dongfeng Farmers' Paintings in Jilin Province

Xiaoyue Zhang, Jingyi Zhang (Author)

63-70
- PDF
From "Object" to "Human": The National Art Museum Collection Masterpieces Exhibition Season and the Evolution of Collection Pathways at the Jiangsu Art Museum

Xing Li (Author)

71-77
- PDF
From "I" to "We": Redefining the Relationship Between Art Museums and Urban Ecology in the Context of New Art Museum Studies

Xing Huang (Author)

78-92
- PDF
From the Ivory Tower to the Traffic Jungle: The Reconstruction of Art Criticism's Discourse Authority in the Age of Self-Media --- Taking Bilibili as an Example

Dong Hao (Author)

93-104
- PDF
"Continuous" Space and "Disrupted" Experience: Xu Bing's Monkey Fishing for the Moon Through the Lens of Benjamin's Theory of Shock

Kaiyue Zhang (Author)

105-113
- PDF
The Exhibition-for-Relief Movement in Isolated Shanghai (1937--1941): A Case Study of the 1939 Charity Exhibition of Ancient Painting and Calligraphy

Qinle Jin (Author)

114-120
- PDF
Research on Innovative Paths of Rural Aesthetic Education in Zhangxia Ancient Town Based on Scene Theory

Wanchao Feng, Shuxin Jiang (Author)

121-129
- PDF
Research on the Creative Boundaries and Copyright Ownership of Art in the Age of Artificial Intelligence

Xue Bai (Author)

130-139
- PDF
Research on the Difference of Enrollment Standards between Basic Arts Education and Higher Art Colleges in the AI Era

Yuquan Yao (Author)

140-148
- PDF
Rewriting and Extending the Dramatic Ontology through Human-AI Co-Performance in the AI Era

Yidan Cui (Author)

149-157
- PDF
Digital Transformation, Intellectual Catalyst and Time-Space Compression -- A Preliminary Exploration of the Role of Art Museums from the Perspective of Urban Regeneration

Ruofan Luo (Author)

158-169
- PDF
Structured Immersion and the Reconfiguration of Audience-Performance Relations: A Case Study of Dream Administration Bureau

Dongyang Li (Author)

170-178
- PDF
The Cultural Governance Turn in AI-Era Theatre: Generative Syntax and Cross-Cultural Management Mechanisms

Yuxin Liu (Author)

179-186
- PDF
The Value Claims, Realistic Challenges, and Approach to Promoting Digital and Intelligent Enablement of Aesthetic Education from the Perspective of Symbiotic Theory

Ligang Xing (Author)

187-195
- PDF
Virtual, Interactive and Fluid: An Analysis of the Iterative Dimensions of Art Curation in Virtual Spaces

Ziqi Liang (Author)

196-203
- PDF
The Disappearance and Digital Reconstruction of the "Aura" in Traditional Chinese Opera: Challenges and Opportunities in the Era of Technological Reproduction

Tengyue Xu (Author)

204-210
- PDF
Reflections on Copyrightability Discussions Regarding AI-Generated Content from the Perspective of Art Law

Ruixin Cao (Author)

211-217
- PDF
The Experience and Improvement Paths of University-Local Co-Construction Model That Empowers the Construction of Harmonious and Beautiful Rurals Through Art: Taking the Guanzhong Mangba Arts Festival as an Example

Xi Cheng (Author)

218-229
- PDF
Insights Into the Virtual and the Real: The Triple Dimensions of Digital Technology-Driven Theatre Art Practice

Xinyu Li, Yuxuan Li, Jiaqi Xu (Author)

230-238
- PDF
Exploration of New Development Paths for the Performing Arts in New Spaces

Junxi Quan (Author)

239-248
- PDF

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GBP Proceedings Series

About the Journal

Current Issue

Articles

Research on Artistic Agency in the AI Era: In-Depth Interviews with Eight Artists Using AI for Creation

Two-Way Empowerment and Aesthetic Education Sharing: Research on the Mechanism and Path Innovation of Aesthetic Education in Art-Based Rural Construction from an Ecological Perspective

Prosthetics, Transduction, or Partner? The Technological Embodiment and Identity Negotiation of AI Music Creation Identity

Geographical Indication Protection for Traditional Handicrafts: A Case Study of Hotan Mulberry Bark Paper

Audience Development of the "Huiguan Youxi" Cultural Brand: A Case Study of the Immersive Musical Jinfeng Yulu at the Huguang Guild Hall

Digital Evocation in the Posthuman: The Hauntological Production of Video Games as Cultural Industry

Empowering the Revitalization of Rural Humanistic Economy with AIGC: A Case Study of Dongfeng Farmers' Paintings in Jilin Province

From "Object" to "Human": The National Art Museum Collection Masterpieces Exhibition Season and the Evolution of Collection Pathways at the Jiangsu Art Museum

From "I" to "We": Redefining the Relationship Between Art Museums and Urban Ecology in the Context of New Art Museum Studies

From the Ivory Tower to the Traffic Jungle: The Reconstruction of Art Criticism's Discourse Authority in the Age of Self-Media --- Taking Bilibili as an Example

"Continuous" Space and "Disrupted" Experience: Xu Bing's Monkey Fishing for the Moon Through the Lens of Benjamin's Theory of Shock

The Exhibition-for-Relief Movement in Isolated Shanghai (1937--1941): A Case Study of the 1939 Charity Exhibition of Ancient Painting and Calligraphy

Research on Innovative Paths of Rural Aesthetic Education in Zhangxia Ancient Town Based on Scene Theory

Research on the Creative Boundaries and Copyright Ownership of Art in the Age of Artificial Intelligence

Research on the Difference of Enrollment Standards between Basic Arts Education and Higher Art Colleges in the AI Era

Rewriting and Extending the Dramatic Ontology through Human-AI Co-Performance in the AI Era

Digital Transformation, Intellectual Catalyst and Time-Space Compression -- A Preliminary Exploration of the Role of Art Museums from the Perspective of Urban Regeneration

Structured Immersion and the Reconfiguration of Audience-Performance Relations: A Case Study of Dream Administration Bureau

The Cultural Governance Turn in AI-Era Theatre: Generative Syntax and Cross-Cultural Management Mechanisms

The Value Claims, Realistic Challenges, and Approach to Promoting Digital and Intelligent Enablement of Aesthetic Education from the Perspective of Symbiotic Theory

Virtual, Interactive and Fluid: An Analysis of the Iterative Dimensions of Art Curation in Virtual Spaces

The Disappearance and Digital Reconstruction of the "Aura" in Traditional Chinese Opera: Challenges and Opportunities in the Era of Technological Reproduction

Reflections on Copyrightability Discussions Regarding AI-Generated Content from the Perspective of Art Law

The Experience and Improvement Paths of University-Local Co-Construction Model That Empowers the Construction of Harmonious and Beautiful Rurals Through Art: Taking the Guanzhong Mangba Arts Festival as an Example

Insights Into the Virtual and the Real: The Triple Dimensions of Digital Technology-Driven Theatre Art Practice

Exploration of New Development Paths for the Performing Arts in New Spaces

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